000			01881cam a22003494a 4500
001			musev2_98557
003			MdBmJHUP
005			20250527155915.0
006			m o d
007			cr||||||||nn|n
008			210814s2021 xx o 00 0 eng d
020			_a9789461664266
020			_z9789461664020
020			_z9789462702899
035			_a(OCoLC)1286942898
040			_aMdBmJHUP _cMdBmJHUP
245	0	0	_aUbiquity : _bPhotography's Multitudes
264		1	_a[S.l.] : _bLEUVEN UNIVERSITY PRESS, _c2021.
264		3	_aBaltimore, Md. : _bProject MUSE, _c2021
264		4	_c©2021.
300			_a1 online resource (304 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
506	0		_aOpen Access _fUnrestricted online access _2star
520	8		_aFrom its invention to the internet age, photography has been considered universal, pervasive, and omnipresent. This anthology of essays posits how the question of when photography came to be everywhere shapes our understanding of all manner of photographic media. Whether looking at a portrait image on the polished silver surface of the daguerreotype, or a viral image on the reflective glass of the smartphone, the experience of looking at photographs and thinking with photography is inseparable from the idea of ubiquity - that is, the apparent ability to be everywhere at once. While photography?s distribution across cultures today is undeniable, the insidious logics and pervasive myths that have governed its spread demand our critical attention, now more than ever.
588			_aDescription based on print version record.
655		7	_aElectronic books. _2local
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/98557/
999			_c32219 _d32219